Holly Pigott

Holly graduated from the Royal Welsh College of Music and Drama with a BA (Hons) in Design for Performance. She was a finalist in the Linbury Prize for Stage Design and was resident Trainee Designer with the Royal Shakespeare Company.

Her design credits include: Fleabag (Underbelly, Edinburgh Fringe & West End); L’aube rouge (Wexford Festival Opera); Celebrated Virgins (Theatr Clwyd); Ages Of The Moon (Vaults Theatre); The Talented Mr Ripley (Stephen Joseph Theatre, Northern Stage & Lawrence Batley Theatre); Sex With A Stranger (Trafalgar Studios); La Scala Di Seta (Linbury Studio, Royal Opera House); The Island (Young Vic); The Prophet (Gate Theatre); Partenope and L’elisir d'amore (Iford Opera); The Magic Flute (Copenhagen Opera Festival), The Turn Of The Screw, Mad King Suibhne & Aurora (Bury Court Opera); Little Wolf (Chapter Arts Centre); Constellations (Theatre Municipal De Fontainebleau); Skin A Cat (Bunker Theatre, Edinburgh Fringe and UK Tour); Elegy For A Lady and The Yalta Game (Salisbury Playhouse); Klippies, Beast and East of Berlin (Southwark Playhouse); Caterpillar (Theatre 503); Lean (Tristan Bates); Eight Songs For A Mad King, Now This Is Not The End and Handel Furioso (Arcola); The Moor (Old Red Lion); Die Fledermaus (OperaUpClose). Holly also designs for screen and her recent credits include: Assistant Costume Designer on The Confessions of Frannie Langton (ITV / Drama Republic) and Set and Costume Designer for The Picture of Dorian Gray, The Importance of Being Ernest and Going the Distance - all digital productions for Lawrence Batley Theatre.